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Monthly Luncheon Report
(Sept. 8, 2004 PCC Monthly Luncheon)
Gossip, Glamour and the columnists who know it
all!
Invite Britney Spears to Your Party and Newspaper
Columnists Will Give You Coverage

September luncheon speakers: Liz Crokin (from
left), Wanda Wright, Susanna Homan and John Iltis. Photo by Ted
Lacey.
MODERATOR
John Iltis
President, John Iltis Associates
PANELISTS
Susanna Homan
"Susanna's Night Out," Chicago Sun-Times
Liz Crokin
"Eye Contact," RedEye
Wanda Wright
Contributing Editor, N'digo
PRORAM SUMMARY
By David Brimm
PCC’s first program of the year at Magianno’s in September 2004, gave PR pros great
tips for garnering coverage for their clients in celebrity “nightlife” newspaper
columns. It also conjured up the lyrics to Alicia Bridges’ disco classic: “I Love
the Nightlife (Disco 'Round)
“Oh, I ... Ohhh I ... I love the nightlife, I got to boogie on the disco 'round, oh yea.”
This essentially sums up the lifestyle and editorial mission of three of Chicago’s
top “nightlife” newspaper columnists, who can occasionally be found at 3:00 a.m.
hanging around popular night spots waiting for celebrities to make an appearance.
The panel, moderated by John Iltis, a top Chicago entertainment PR executive, consisted
of: Liz Crokin, “EyeContact” Columnist for the Chicago Tribune’s RedEye; Susanna
Homan, “Susanna’s Night Out” for the Chicago Sun-Times; and Wanda Wright, columnist
for N’Digo.
John Iltis began the discussion by asking the panel how they keep a weekly column
fresh.
Liz Crokin, a former White House reporter and current entertainment reporter
for “US” magazine in addition to her Tribune beat, noted that she likes having a
Monday column because “everything happens on the weekend, and people want to know
what happened.” Her column is really party/celebrity oriented. Although she
originally was hired to combine national and local celebrity news, she thinks there
is enough local events going on that her focus is on the Chicago celebrity scene
and gossip.
Wanda Wright, who will be adding to her editorial responsibilities at N’Digo
as a contributor to Los Sabores (Flavors), which will target Latin Americans,
revealed that she needs to be out seven nights a week scoping out stories. Her editorial
focus is on “relationships,” or how events interact with charitable and other organizations.
Susanna, who by day is a group supervisor at PR 21, a Chicago public relations
agency, suggested that since most people in town don’t attend the big parties in
town, she attends the parties on their behalf and reports on the action. “I’m kind
of like Chicago’s Bridget Jones,” she said. Since she personally attends the events
she wants to cover, “after the fact” releases or photos are never used. She also
attends events with a photographer, after a stint where she did her own photography
with a digital camera.
Liz only wants to be contacted by phone or email. She works part-time so faxes
to the Tribune will never be seen. She warned not to send releases six months in
advance of an event because it probably won’t be kept on file. Contact her a week
or so before an event as a reminder. Your event must have a celebrity focus. When
you email her, your header line should read: “(name of celebrity) to attend (event)
at (place) on (date and time).” Her deadline is Sunday, so if you had an event
on Saturday, you need to be available in the event she has questions. Make sure
she has a cell phone number or other number where you can be reached.
Susanna works at night or in the early AM on her stories, so she will need contact
information. Again, a cell phone number is useful. If she says she will call
you at a certain time, you must be available.
Wanda bemoaned the fact that many people associated with events do not have PR
training and don’t know how to pitch a story or send concise press releases. She
likes to work with PR pros who have established a relationship with her.
Susanna likes events that have photogenic elements, since as previously mentioned,
she takes lots of photos. She loves fashion shows, striking color themes and wild
costumes. If you copy another event, she probably won’t cover it. Your event should
be unique. She also will not ever use staged “grip and grin” photos with a CEO or
event organizer. Since she herself is in agency PR, she prefers to work with
PR people who run an event. The more helpful you are, the odds of a story being
used greatly improve.
Susanna reported that Tammy Chase is the new Lifestyle editor at the Sun-Times
and wants to include more women-oriented stories. The coverage will include traditional
“society” stories, that will complement Susanna’s coverage of younger audiences.
“Covering Chicago’s nightlife is a step into the great unknown. There aren’t
a lot of reporters at Crobar on a Tuesday night at 2:00 a.m,” says Susanna.
So she won’t usually be covering black-tie soirees. She also writes a column
called “Mix-It-Up” which focuses on new fun drink recipes being served at local
bars.
Photos only a play a role with Wanda and Susanna. Liz rarely uses a lot of photos
due to space limitations. When she does use photos, they are taken from the Tribune’s
photo files.
Susanna likes animated poses, and her camera lens is usually focused on young
(20-30), hip, good-looking and photogenic people. “Funky and vibrant” is how she
describes the look she wants.
Wanda doesn’t use staged photos. She likes animated shots and often waits until
the party is in full swing and alcohol has released guest inhibitions. Colorful
backdrops make for better photos.
Wanda can be reached by email at
RYTENOW@AOL.COM. She likes to be contacted three times: 1) phone 2)email 3)
fax
Reach Susanna at
SUSANNASNIGHTOUT@YAHOO.COM. She doesn’t pickup voice mail, so email is the preferred
contact method. Concise alerts are much preferred. The email subject line is key
if you want to catch her attention.
Liz can be reached at
EYECONTACT@TRIBUNE.COM. She’s hardly ever at the Tribune, so contacting there
is not advised. Use email.
All three warned not to send emails with attachments. They also (GASP!) don’t
care about exclusives. The only exception is that Susanna won’t cover events that
are covered by Mary Cameron Frey.
Finally, tips from the panelists for getting coverage in their respective columns:
Susanna: “Get media involved in the event. Ask
them to be judges or emcees. TV anchors are good because at least their own station
is likely to cover your event.
Wanda: “Passion sells a story. If you are passionate about the story, and I sense
that it’s important, I’ll pay attention.”
Liz: “Just because I’m with the Tribune, don’t be intimidated. The RedEye is a different dimension of the Tribune—more down to earth and low key.”
As Alicia Bridges would sum up:
“I got to go where the people dance. I want some action ... I want to live!”
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